The Low-Pass filter amplifies frequencies below a set frequency, and attenuates the frequencies above that set frequency. You can control the slope at which the gain falls from the set Gain of the passed (or amplified) frequencies to the Gain of the attenuated frequencies.
Control |
Function |
Default / Range |
---|---|---|
Response Panel |
The Response panel provides vertical and horizontal cross-hairs with a dynamic frequency and dB read-out. Place the mouse courser over the graph to activate the cross-hairs. When the Phase control is activated, the horizontal cross-hair line to the left of center represents the normal curve, the right side represents the phase curve. The readout is only for the normal curve. |
X-Axis = 20 Hz to 20 kHz Y-Axis Left = -24 dB to 24 dB Y Axis Right = -180° to -180° |
Phase |
Turns the Phase curve on and off. |
On/Off |
Bypass |
Bypasses the filter. |
Off/On |
Invert |
Inverts the output signal. |
Normal/Inverted |
Mute |
Mutes the output signal. |
Off/On |
Frequency (Hz) |
Sets the frequency at which the gain of the output falls to a point 3 dB below the maximum as set by the Gain control. Frequencies above this frequency are attenuated. All frequencies below this frequency are amplified based on the setting of the Gain control. |
Default = 1000 Range = 20 to 20000 |
Q-factor |
The Q-factor determines the sharpness of the gain slope as it falls from the cutoff frequency. A Q-factor of 1.00 causes a slight rise above the maximum Gain as the frequencies approach the cutoff frequency, then gradually falls back to the maximum Gain at the cutoff frequency then a constant slope directly from the maximum Gain at the cutoff frequency to -20 dB. The result is a fairly flat amplification of the frequencies below and up to the cutoff frequency then an even fall in gain to -20 dB. A Q-factor of 10 causes a sharp spike of 20 dB higher than the maximum Gain as the frequency approaches the cutoff frequency, then a sharp decline to -20 dB as the frequency increases. The result is the frequencies in a fairly narrow band around the cutoff frequency are amplified above the maximum Gain. A Q-factor of 0.100 causes a very slow, curved slope beginning right at the cutoff frequency up to the maximum Gain. The result is that the frequencies below the cutoff frequency are completely attenuated and the Gain above the cutoff frequency is slowly increased as frequency increases. |
Default = 1.00 Range = .100 to 10.00 |
Gain (dB) |
Sets the output Gain. |
Default = 0 Range = -100 to 20 |
Slope (dB per Octave) |
Sets the slope at which the gain falls from the level set by the Gain control to -100 dB. You can set the maximum allowed slope in the Properties. The Linkwitz-Riley adjusts in 12 dB per Octave steps, all others adjust in 6 dB per Octave steps. |
Default for all = 48 Range: Variable Q = 6 to 60 Butterworth = 6 to 60 Linkwitz-Riley = 12 to 60 Bessel-Thomson = 6 to 60 Chebyshev = 6 to 60 |
Type |
Selects the type of filter. |
Butterworth Linkwitz-Riley (Default) Bessel-Thomson Chebyshev |
Bessel Normalization |
Sets the type of normalization for the Bessel-Thomson filter. |
-3 dB Flat Group Delay -3 dB Mirror Magnitude Natural Mirror Magnitude Natural Phase Match |
Property |
Function |
Choices |
---|---|---|
Max Slope |
Sets the maximum Slope allowable in the Control Panel for all of the filter types. |
12, 24, 36, 48, 60, 72, 84, 96 dB/Octave |
Property |
Function |
Choices |
---|---|---|
Type |
Sets the type of input and output channels |
Mono Stereo Multi-Channel |
Count |
For Multi-Channel, sets the number of channels. |
2 to 256 |
Property |
Function |
Choices |
---|---|---|
Enabled |
Determines if the Response Panel is visible in the Control Panel |
Yes / No |
Size |
Determines the size of the Response Panel. |
Small Medium Large |
Pin Name |
Value |
String |
Position |
Pins Available |
---|---|---|---|---|
Bypass |
0 1 |
active bypass |
0 1 |
Input / Output |
Filter Type |
1.00 2.00 3.00 4.00 5.00 |
Variable Q Butterworth Linkwitz-Riley Bessel-Thomson Chebyshev |
0 .25 .50 .75 1.0 |
Input / Output |
Frequency |
10.0 to 20,000 |
10 Hz to 20 kHz |
0.000 to 1.00 |
Input / Output |
Gain |
-100 to 20 |
-100 dB to 20 dB |
0.000 to 1.00 |
Input / Output |
High-Pass (Bessel-Thomson) Normalization |
0 1 2 3 |
-3 dB Flat Group Delay -3 dB Mirror Magnitude Natural Mirror Magnitude Natural Phase Match |
0 .333 .667 1.00 |
Input / Output |
Invert |
0 1 |
normal invert |
0 1 |
Input / Output |
Mute |
0 1 |
unmute mute |
0 1 |
Input / Output |
Q |
.100 to 10.0 |
.100 to 10.0 |
0.000 to 1.00 |
Input / Output |
Slope |
6.0 12.0 18.0 24.0 30.0 36.0 42.0 48.00 54.0 60.0 66.0 72.0 78.0 84.0 90.0 96.0 |
6 dB/Oct 12 dB/Oct 18 dB/Oct 24 dB/Oct 30 dB/Oct 36 dB/Oct 42 dB/Oct 48 dB/Oct 54 dB/Oct 60 dB/Oct 66 dB/Oct 72 dB/Oct 78 dB/Oct 84 dB/Oct 90 dB/Oct 96 dB/Oct |
0.00 .067 .133 .200 .267 .333 .400 .467 .533 .600 .667 .733 .800 .867 .933 1.00 |
Input / Output |
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